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She Intro (1965) Hammer |
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233
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02:30 |
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www.egs.edu Ulrike Ottinger, filmmaker, documentarian and photographer lecturing about the sociology of film and cinema, the political and social dimensions of film, movie, and cinema, filmmaking and directing in a free open video lecture for students and faculty of European Graduate School, EGS Media and Communications Program Studies Department, Saas-Fee, Switzerland, Europe 2007. Ulrike Ottinger Ulrike Ottinger (born June 6, 1942) is a German filmmaker, documentarian and photographer. She is the daughter of the artist-painter Ulrich Ottinger. From 1959 she was a visiting student at the Academy of Arts in Munich and worked as a painter. From 1962 to 1968, she worked as a freelance artist in Paris and studied etching with Johnny Friedlaender among other studies. They participated in several exhibitions. In 1966 she wrote her first screenplay, entitled Die Mongolische Doppelschublade. Ottinger returned to West Germany in 1969 and, in cooperation with the Film Seminar at the University of Konstanz, founded the film club "Visuell", which she directed until 1972. She also headed a gallery and the associated "galeriepress, where they edited works by contemporary artists. During this time she met Tabea Blumenschein and Magdalena Montezuma, both of whom have been cast as lead actresses in her films since 1972. Ottinger developed her own bizarre surrealist film-style, which among other things, was marked by widespread abandonment of a linear plot and instead linger long in <b>...</b> |
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3768
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| Time:
09:58 |
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www.egs.edu Ulrike Ottinger, filmmaker, documentarian and photographer lecturing about the sociology of film and cinema, the political and social dimensions of film, movie, and cinema, filmmaking and directing in a free open video lecture for students and faculty of European Graduate School, EGS Media and Communications Program Studies Department, Saas-Fee, Switzerland, Europe 2007. Ulrike Ottinger Ulrike Ottinger (born June 6, 1942) is a German filmmaker, documentarian and photographer. She is the daughter of the artist-painter Ulrich Ottinger. From 1959 she was a visiting student at the Academy of Arts in Munich and worked as a painter. From 1962 to 1968, she worked as a freelance artist in Paris and studied etching with Johnny Friedlaender among other studies. They participated in several exhibitions. In 1966 she wrote her first screenplay, entitled Die Mongolische Doppelschublade. Ottinger returned to West Germany in 1969 and, in cooperation with the Film Seminar at the University of Konstanz, founded the film club "Visuell", which she directed until 1972. She also headed a gallery and the associated "galeriepress, where they edited works by contemporary artists. During this time she met Tabea Blumenschein and Magdalena Montezuma, both of whom have been cast as lead actresses in her films since 1972. Ottinger developed her own bizarre surrealist film-style, which among other things, was marked by widespread abandonment of a linear plot and instead linger long in <b>...</b> |
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770
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| Time:
08:23 |
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www.egs.edu Ulrike Ottinger, filmmaker, documentarian and photographer lecturing about the sociology of film and cinema, the political and social dimensions of film, movie, and cinema, filmmaking and directing in a free open video lecture for students and faculty of European Graduate School, EGS Media and Communications Program Studies Department, Saas-Fee, Switzerland, Europe 2007. Ulrike Ottinger Ulrike Ottinger (born June 6, 1942) is a German filmmaker, documentarian and photographer. She is the daughter of the artist-painter Ulrich Ottinger. From 1959 she was a visiting student at the Academy of Arts in Munich and worked as a painter. From 1962 to 1968, she worked as a freelance artist in Paris and studied etching with Johnny Friedlaender among other studies. They participated in several exhibitions. In 1966 she wrote her first screenplay, entitled Die Mongolische Doppelschublade. Ottinger returned to West Germany in 1969 and, in cooperation with the Film Seminar at the University of Konstanz, founded the film club "Visuell", which she directed until 1972. She also headed a gallery and the associated "galeriepress, where they edited works by contemporary artists. During this time she met Tabea Blumenschein and Magdalena Montezuma, both of whom have been cast as lead actresses in her films since 1972. Ottinger developed her own bizarre surrealist film-style, which among other things, was marked by widespread abandonment of a linear plot and instead linger long in <b>...</b> |
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599
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| Time:
07:43 |
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She had a small role as a showgirl and walkin behind connery |
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43
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| Time:
00:38 |
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