Josh Homme, lead singer of Queens of the Stone Age, got fed up with two drunk fans who wouldn't stop moshing, which was crushing the females toward the front of the stage. He taunts the two dudes while the bouncers are pulling them out. Fuckin' hilarious! Thanks Josh! EDIT: And yes, he warned them 5 minutes earlier, before they performed the previous song. They wouldn't stop, so he finally gave 'em the boot! 09.20.07; Tallahassee; The Moon; AMAZING FUCKING SHOW! Sorry the quality isn't wonderful, as it was filmed with my digital camera. It came out better than I expected though, I must say.
Hedi Slimane's best work during his tenure as creative director at DIOR HOMME, was the Autumn / Winter 2005 line. Phenomenal show. Hedi's involvement in the rock 'n' roll scene went far further than Rock Diary. Consistently refusing to make do with the DJ mix that serves as the soundtrack for most fashion shows, for the Dior Homme Autumn/Winter 2005 show he commissioned Razorlight to pen a fifteen minute long soundtrack. They came up with ''In The Morning'', which became a hit a year later in edited form. The finale also saw eight drummers on platforms above the catwalk play a synchronized drum solo, which Hedi asked Ben Swank to co-ordinate. The models, meanwhile, included some of the London scene's most striking faces, including Phil Bush from the Cazals, whom Hedi would photograph extensively. And then, of course, there were the clothes, an incredible re-imagining of modern rock 'n' roll styles, including capes, fedoras, pussy bow blouses and T-shirts with a slogan marking the December 2004 riot at the Astoria (in which Hedi was caught up) sparked by Pete Doherty not turning up to a Babyshambles gig: "Curtains torn/Stage invasion/Guitars broken/Mic thrown/Drum k stolen/It must be THE END." From then on, the London rock scene provided Hedi's prime inspiration, and he was tireless in his efforts to spread the word about it in magazines from Purple to Vanity Fair (though iD didn't get it, turning down a Pete Doherty photo series). Then in February 2005 something strange <b>...</b>
Chanel Allure Homme "STREET SCENTS" The Series. This fragrance was came out in 1999 the Nose behind this masterpiece is Jacques Polge. Chanel Allure Homme is very sexy/classy scent comes at you in different directions Fresh Citrus,Spicy,Woods,Vanilla. A must have in any collection great for the cooler weather.RATE/COMMENT/SUBSCRIBE
Antoine Busnoys (c.1430-1492), sometimes spelled Busnois, was the leading songwriter of the late Burgundian style. Along with his unique stature in the courtly chanson genre, Busnoys was at least partly responsible for important innovations in sonority during the Ockeghem era. Based perhaps on his own skill as a singer, Busnoys extended the range of individual vocal parts, and pioneered contrapuntal textures in which each part operates in its own range and without interference from others. His use of extended lines, and especially sequence & imitation, proved decisive for the next generation of composers. In this, Busnoys' music illustrates the trends of the mid-to-late-1400s most clearly, and indeed his formal schemes were the most imitated by other composers. That Busnoys' music is relatively unknown today is an accident not in keeping with his contemporary reputation. Busnoys may have been born in Busnes, and although much of his career is documented in some detail, his early life and training remain a mystery. By the 1450s, he was associated with the French royal court in the Loire valley, and by 1465 he held a post at St. Martin of Tours where Ockeghem was treasurer. He moved immediately to a post at Poitiers, leaving there by 1466. By 1467 he was in Burgundy, first in loose association with the court, and then in formal positions from 1470. There, he must have accompanied Charles the Bold's huge retinue into battle, and continued to serve Charles' daughter's husband <b>...</b>
Continuing in the richly melodic, profoundly emotional style of his flawless score to "Angel," Philippe Rombi's latest score is utterly enchanting in every way. The absence of truly romantic film scores since the tragically premature death of French film composer Georges Delerue has been partially amended by the works of Rachel Portman and Alexandre Desplat, but if any one modern composer could be said to truly have succeeded Delerue's place, it might be Philippe Rombi. Since the composition of his wonderful, tender scores for Jeux d'Enfants, Joyeaux Noel and Angel, he has certainly solidified his standing as a composer of some of the most sweepingly gorgeous themes in recent years. The Music of Philippe Rombi His music is deeply rooted in the sound of the Golden Age of film music, with rich, vibrant orchestrations and captivating, long-lined (and memorable) themes. Besides all that, and perhaps most importantly, his music is deeply emotional and extremely accessible. It is impossible to listen to a score by Philippe Rombi and not be swept away by its swirling beauty and passion. His latest score, Un Homme Et Son Chien, proves to be yet another exquisite entry in an already flourishing canon of romantic masterpieces, and is a must-hear for lovers of lovely orchestral music. Un Homme Et Son Chien Soundtrack The score is based largely around one theme, introduced in delightful fashion on high-end piano in the first track, "Un Homme Et Son Chien (Theme)," gradually gaining <b>...</b>
